Whistler’s Mother is an oil on canvas painting made in 1871 by James McNeil Whistler. Originally known as Arrangement in Grey and Black No.1, the painting depicts Anna McNeil who supposedly stood in for a model who failed to show up. Anna is seated with her hands clasped on her lap while staring steadily at apparently nothing. In the painting, Whistler uses grays and blacks to imply the tone of the painting. Anna is believed to be one of the most adoring fans of his son’s work, stating what enjoyment she drew from posing for Whistler’s paintings. Besides working on the painting, Whistler designed a frame for the painting which still holds the painting today.
James McNeil Whistler
Born in 1834, James Whistler was an American painter and founder of the Tonalism art movement who from an early age displayed an interest in drawing. He joined the Imperial Academy of Fine Arts in 1845 where he learned traditional drawings. In addition to the curriculum, Whistler intensely studied the techniques and art forms from other artists. After his father’s death, he enrolled in a military academy at the west point where he was disqualified for his poor grades. In 1855, Whistler settled in Paris where he furthered his studies in art. His movement to France became the turning point for his art career by allowing him to interact with other artists and artworks. His popularity rose in the 1860s following his painting Symphony in White, No. 1. Whistler died in 1903 in London, England.
Location
After completing the painting, Whistler submitted the work to The Royal Academy who begrudgingly accepted it and hung it at a disgraced location. The Musée du Luxembourg purchased the painting in 1891, changing its future for the better. The painting stayed at the great museum until 1922 when the painting was transferred to the Louvre. The Musée d’Orsay in Paris has been the permanent home of the painting since 1966. The painting is available for display at other top museums around the world.