Inevitable Foundation, the non-profit that focuses on supporting mid-career disabled screenwriters, is following up a July study on disability portrayals in film and television with a call to action in Hollywood.

The open letter, released on Wednesday, coincides with a billboard campaign in Las Angeles and New York City calling out the 66 percent of respondants to the study that expressed dissatisfaction with on-screen representations of disability and mental health.

With action points for creatives and executives alike, the letter aims to boost disability representation across the board to tap into the 1 billion global disability audience and, in the foundations words, the unmined profit potential. Co-signers on the letter include industry heavyweights such as Paul Feig, Marlee Matlin, Ramy Youssef, Rachel Bloom and Jen Statsky. Hey Hollywood,

There is a massive, loyal, and engaged audience of viewers and consumers within the global entertainment landscape who remain entirely underserved.

Its an expansive community that lives everywhere from large coastal cities to rural areas, with wide ranging political and religious views.

Its an audiencegiven its mere scope, collective buying power and influencethat should have unlimited choices when it comes to quality entertainment.

But they have simply been ignored.

Were talking about the Global Disability Audience, which includes more than a billion people worldwide.

For a global industry that is so hyper-focused on box office and streaming profitability, this is a truly confounding business decision.

Over 25% of Americans have a disability, including physical, invisible and developmental disabilities, neurodiversity, mental health conditions, chronic illnesses and those who are Deaf, hard-of-hearing, blind or low vision. There are over 20 million U.S. households that have at least one disabled person in them. This massively underserved group deploys $21 billion in discretionary income each year. And this audience is only growingGen Z is 71% less likely to report good mental health compared to Millennials, and one in three 18-24 year olds experience a mental health condition, up from one in four in 2000.

But as this audience thinks about what to watchon television, on streaming platforms, and in movie theaterstheir options remain egregiously limited when it comes to stories that both entertain and represent them.

Its why 66% of audiences, both disabled and non-disabled, are unsatisfied with current representations of disability and mental health in film and television. Its also why 20% of all adult audiences would subscribe to a new streaming service and go to more movies in theaters if the projects included authentic representations of people with disabilities and mental health conditions.

Given the size of this global audience, you would think that Hollywood would be hugely invested in capturing and entertaining this demographic. You would think that there would be new films and television shows coming out every week that aim to engage and entertain this audience given its scale.

But this isnt even close to being the case. Hollywood, its time to Greenlight Disability.

Everyone has a role to play:

CREATIVES: Hire disabled writers and filmmakers whose projects can help you tap into this massive underserved audience. Disabled audiences can tell when stories were made for them, but not by them, as most prior attempts have been. Its time to develop and greenlight a wave of commercial stories across every genre and format that appeal to this audience.

IP: Invest in IP from disabled authors, game designers, comic book artists and journalists. While there is a growing belief that most of the valuable IP for Hollywood has already been picked over, there is a sizable and valuable segment of the market no one is paying attention to: IP from disabled writers and creatives. Its time to invest in this IP to build the next global franchises.

CREATIVE EXECUTIVES: Hire disabled creative executives to shepherd these projects towards success. Too many non-disabled decision makers are either shutting down promising projects or pushing forward ones that most disabled people could immediately tell you will not resonate with disabled audiences. Its time to invest in a new generation of disabled creatives executives and set them up for success across studios, networks and streamers.

DATA COLLECTION: Invest in data collection and tracking for disabled audiences. Right now, few streaming services are prioritizing the tracking of disabled audiences viewership habits. Few movies are tested in front of disabled audiences, and this audience is entirely left out of box office tracking surveys and systems. Its time to invest in the data and insight infrastructure to support this audience, given how many creative and business decisions are made using this information.

MARKETING: Put real marketing muscle behind the distribution of these projects. Disabled audiences are statistically some of the most engaged consumers (see: Disability TikTok) and they are astutely aware of condescension, tokenism, exploitation, and virtue signaling. Its time to speak to them authentically and engage with them as the sophisticated, loyal consumers that they areand ensure that these projects get respectable marketing budgets to spread the word.

ACCESSIBILITY: Invest in accessible premieres and screening venues so disabled audiences can show up. Too many theaters, festivals, and online platforms dont prioritize, or even consider, accessibility, and its no wonder the audience doesnt show up there they literally cant. Its time to invest in accessibility so this audience can show up. If you build it, they will come. Engaging the Global Disability Audience doesnt need to be pushed to your (likely underfunded) DEI department. You dont need to invest in this audience to check a box, warm peoples hearts, or even because its the right thing to do. This is a highly lucrative audience who is eager to be entertained and has plenty of money to spend. At minimum, investing in the global disability audience simply supports your business objectives. So what are you waiting for?

Sincerely,

Richie Siegel

Marisa Torelli-Pedevska

Co-Founders, Inevitable Foundation

With the support of:

Adam Conover

Aisling Bea

Alexander Woo

Ali Stroker

Alyssa Milano

Ben Watkins

Brandon Sonnier

Carol Barbee

Craig Thomas

Chris Cooper Marianne Leone

Dara Resnick

David Nutter

Eddy Kitsis

Ginger Gonzaga

Jason Katims

Jack Thorne

Jen Statsky

Jillian Mercado

Jorge Gutierrez

Kiera Allen

Lauren Ridloff

Lauren Lolo Spencer

Marlee Matlin

Mickey Sumner

Millicent Simmonds

Nyle DiMarco

Paul Feig

Rachel Bloom

Ramy Youssef

Rick Glassman

Rob Delaney

Samara Weaving

Sammi Haney

Sian Heder

Steve Way

Tim Omundson

Troian Bellisario